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Logic pro x compressor types free |
Are Any Of The Logic Pro Compressor Presets Actually Useful? Expert Panel | Production Expert
- Logic pro x compressor types free
Logic pro x compressor types free.Learn what Logic Pro X’s Compressor types are and when to use them
Named after an earlier release of Logic Logic Platinum , circa ! Producers tend to use Platinum Digital when they need to make some technical adjustments to the way the level, the attack, or the release of a sound behave.
Tip: Studio VCA comes into its own on an instrument or vocal layer when you push the Threshold down and choose one of the Distortion options. Have a play, and enjoy the warm flavor of this compressor. Based on its real-world counterpart, the UREI the Studio FET Field-effect Transistor compressor is designed to give you a responsive and punchy attack, as well as providing a bit of nice color to the overall sound.
Tip: Give your lead part a solid attack to help find its place in the mix. The attack will poke through your mix and allow you to nestle the layer deeper in with the rest of the instruments, just biting through every time the compressor is initially activated.
The simplest of them all, the Classic VCA is modeled on the sound and controls of the real-world dbx Notice there are no attack and release controls here.
The simplicity will help you make quick decisions, as you set the threshold and ratio to find the sweet spot. Side Note: The boffins over at Universal Audio have also released an emulation of the dbx You may want to compare it with the stock Logic Pro X plugin.
Once again, they are designed with real-world counterparts in mind. If you want to get a very smooth compression effect, while still coloring the sound with warmth and richness, Vintage Opto is the way to go. Try Vintage Opto when you want to let mid and low frequencies sing through, while higher frequencies are more finely attenuated.
Fun Fact: Optical compressors literally react to a light flashing in response to the audio signal coming in. They have a bit of a sluggish response once all the conversions are factored in, resulting in their distinctly smooth vintage tone. The bad news is that a compressor will almost never fix a weak sound. Compression is intended to either bring out the best in your sounds, eliminate inconsistencies, or provide a tool for experimentation.
The good news is that Logic Pro X comes with a very solid and convincing range of compressors with a wide variety of uses. As always, have a play around, trust your ears, and enjoy your music making! This is so amazing!.. I wish I could write these notes down on each compressors so I can pick the right one for each use case! Your email address will not be published. Interviews See All. Is Tape Undergoing A Renaissance?
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